1 00:00:22,060 --> 00:00:23,120 WE GOT A CALL 2 00:00:23,160 --> 00:00:25,360 OFF A FOUL SMELL COMING FROM THE TRUNK. 3 00:00:25,400 --> 00:00:27,140 WE HAD E. S. U. POP IT OPEN. 4 00:00:31,000 --> 00:00:33,570 UGH. TWO IN THE HEAD, CLOSE RANGE. 5 00:00:33,610 --> 00:00:36,050 LOOKS LIKE HE'S BEEN IN IT MAYBE A WEEK. 6 00:00:36,070 --> 00:00:38,270 THAT'S LIKE THE MOB LEAVING FLOWERS. 7 00:00:38,310 --> 00:00:40,280 YOU WHACK THE GUY, THROW HIM IN THE TRUNK, 8 00:00:40,310 --> 00:00:41,940 THEN DUMP HIM OUTSIDE A SOCIAL CLUB 9 00:00:41,980 --> 00:00:43,550 TILL THE STINK GETS EVEN WORSE THAN USUAL. 10 00:00:43,580 --> 00:00:45,550 I TAKE IT WE GOT WITNESSES CRAWLING OUT THE WOODWORK, 11 00:00:45,580 --> 00:00:48,920 THIS BEING HEADQUARTERS FOR THE SCARPELLI CRIME FAMILY. 12 00:00:50,660 --> 00:00:53,300 YOU. 13 00:00:53,320 --> 00:00:54,790 ME? 14 00:00:54,830 --> 00:00:56,570 NO, JIMMY HOFFA OVER THERE. 15 00:00:56,600 --> 00:00:57,940 COME ON. 16 00:01:01,530 --> 00:01:03,230 HOW COME YOU'RE BREAKING MY BALLS? 17 00:01:03,270 --> 00:01:04,280 I DIDN'T DO NOTHING. 18 00:01:04,300 --> 00:01:05,730 YOU EVER SEEN THIS GUY BEFORE? 19 00:01:05,770 --> 00:01:06,900 WHAT GUY? 20 00:01:06,940 --> 00:01:08,940 LET'S TRY THAT AGAIN, ASSHOLE. 21 00:01:08,970 --> 00:01:10,610 AW, COME ON! 22 00:01:10,640 --> 00:01:12,810 YOU RECOGNIZE HIM NOW? 23 00:01:12,840 --> 00:01:15,080 [ Retching ] LET ME UP. 24 00:01:15,110 --> 00:01:16,440 I'M GOING TO PUKE. 25 00:01:16,480 --> 00:01:17,910 JUST KEEP IT OFF ME. 26 00:01:17,950 --> 00:01:20,250 IT LOOKS LIKE EDDIE, EDDIE TESTA. 27 00:01:20,280 --> 00:01:21,280 AND WHO'S EDDIE TESTA? 28 00:01:21,320 --> 00:01:24,220 HE'S JUST SOME GUY. 29 00:01:26,560 --> 00:01:28,260 I'M GOING TO CALL MY ATTORNEY. 30 00:01:28,290 --> 00:01:29,830 I'M GOING TO SUE YOU FOR HARASSMENT. 31 00:01:29,860 --> 00:01:31,130 YOU'RE A PUSSY. 32 00:01:31,160 --> 00:01:33,330 GUY'S CALLING HIS ATTORNEY FOR BEING HARASSED, 33 00:01:33,360 --> 00:01:35,200 AND HE'S CALLING ME A PUSSY. 34 00:01:47,810 --> 00:01:50,350 [ TELEPHONE RINGS ] 35 00:01:50,380 --> 00:01:54,220 15th SQUAD ‐‐ LIEUTENANT FANCY. 36 00:01:54,250 --> 00:01:56,650 MM‐HMM, IT'S ME. 37 00:01:58,390 --> 00:02:01,320 YEAH. YEAH, RIGHT. 38 00:02:01,360 --> 00:02:02,860 YEAH, THANKS. 39 00:02:02,890 --> 00:02:04,390 THANKS A LOT. 40 00:02:07,400 --> 00:02:08,700 YES! 41 00:03:23,470 --> 00:03:25,740 HEY, DOC? 42 00:03:25,780 --> 00:03:28,450 I'M DETECTIVE RUSSELL. THIS IS DETECTIVE McDOWELL. 43 00:03:28,480 --> 00:03:30,450 HAROLD ZAKIAN, NEUROLOGIST. 44 00:03:30,480 --> 00:03:33,110 WELL, DEEP ARTERY'S COMPLETELY SEVERED, 45 00:03:33,150 --> 00:03:34,280 OTHERWISE HE'S STABLE. 46 00:03:34,320 --> 00:03:35,480 JUST OUT OF CURIOSITY, 47 00:03:35,520 --> 00:03:37,390 HOW MUCH OF THE THING DID HE LOSE? 48 00:03:37,420 --> 00:03:40,920 OH, I'D SAY ABOUT HALF. 49 00:03:40,960 --> 00:03:42,620 ANY NEWS ON THE MISSING PART? 50 00:03:42,660 --> 00:03:44,490 QUICKER WE FIND IT, THE BETTER THE CHANCE 51 00:03:44,530 --> 00:03:45,890 OF MAKING THIS GUY WHOLE AGAIN. 52 00:03:45,930 --> 00:03:47,600 KEEP YOUR FINGERS CROSSED. 53 00:03:50,640 --> 00:03:53,280 WHO ARE YOU? 54 00:03:53,300 --> 00:03:54,740 I'M DETECTIVE RUSSELL. 55 00:03:54,770 --> 00:03:56,670 THIS IS DETECTIVE McDOWELL FROM THE 15th SQUAD. 56 00:03:56,710 --> 00:03:58,570 THEY SENT FEMALE DETECTIVES? 57 00:03:58,610 --> 00:04:00,240 GOT A PROBLEM WITH THAT, VINCENT? 58 00:04:00,280 --> 00:04:02,080 WHY DON'T YOU JUST TELL US WHAT HAPPENED? 59 00:04:02,110 --> 00:04:04,580 I MET HIM IN THE SUBWAY WHEN I GOT OFF THE "D" TRAIN. 60 00:04:04,620 --> 00:04:06,160 HE'S ONE OF THOSE STREET TYPES 61 00:04:06,180 --> 00:04:07,750 WHO HANGS OUT ON THE PLATFORM. 62 00:04:07,790 --> 00:04:09,700 YOU MEAN A HUSTLER. YOU GET HIS NAME? 63 00:04:09,720 --> 00:04:11,420 NO. 64 00:04:11,460 --> 00:04:12,860 WHAT DID THIS GUY LOOK LIKE? 65 00:04:12,890 --> 00:04:15,960 BLACK, ABOUT 5'4", KINKY HAIR. 66 00:04:15,990 --> 00:04:17,690 HE WINKED AT ME. 67 00:04:17,730 --> 00:04:21,530 SO, UH, AFTER HE LET YOU KNOW HE WAS AVAILABLE... 68 00:04:21,570 --> 00:04:23,110 HE TOOK ME UP TO THE MEN'S ROOM. 69 00:04:23,130 --> 00:04:24,930 DO YOU REMEMBER WHICH ONE? 70 00:04:24,970 --> 00:04:26,000 NOT REALLY. 71 00:04:26,040 --> 00:04:28,610 FAR INTO THE STATION, I THINK. 72 00:04:28,640 --> 00:04:30,110 YOU KNOW THE REST. 73 00:04:30,140 --> 00:04:31,110 YOU TELL US. 74 00:04:31,140 --> 00:04:32,970 MIGHT HELP US FIND THE GUY. 75 00:04:33,010 --> 00:04:34,940 WELL, WE'RE IN THE STALL, 76 00:04:34,980 --> 00:04:37,280 AND HE'S DOING WHAT HE DOES, 77 00:04:37,320 --> 00:04:40,060 AND SUDDENLY I FEEL A SHARP PAIN, 78 00:04:40,080 --> 00:04:41,820 AND I SEE HE'S HOLDING A KNIFE, 79 00:04:41,850 --> 00:04:43,690 AND NOW THERE'S BLOOD EVERYWHERE 80 00:04:43,720 --> 00:04:45,220 AND HALF MY THING IS GONE. 81 00:04:45,260 --> 00:04:46,630 ANY IDEA WHY HE'D DO THAT TO YOU? 82 00:04:46,660 --> 00:04:48,120 ABSOLUTELY NONE. 83 00:04:48,160 --> 00:04:49,990 WHAT HAPPENED TO THE PART HE CUT OFF? 84 00:04:50,030 --> 00:04:51,660 UNIFORM OFFICERS DIDN'T FIND IT. 85 00:04:51,700 --> 00:04:54,140 I LOOKED AROUND THE FLOOR. I DIDN'T SEE IT. 86 00:04:54,170 --> 00:04:55,810 MAYBE HE TOOK IT WITH HIM. 87 00:04:55,830 --> 00:04:59,170 OKAY. WE'RE GOING TO TRY TO FIND WHO DID THIS. 88 00:04:59,200 --> 00:05:01,170 MAYBE HE CAN TELL US WHERE IT IS. 89 00:05:01,210 --> 00:05:02,450 FINE. 90 00:05:20,220 --> 00:05:21,660 I MADE CAPTAIN. 91 00:05:21,690 --> 00:05:24,230 THAT'S GREAT NEWS. 92 00:05:24,260 --> 00:05:26,060 THANKS, GREG. 93 00:05:26,100 --> 00:05:28,040 HEY, CONGRATULATIONS. THANKS, BALDWIN. 94 00:05:28,070 --> 00:05:29,680 WE'RE GOING TO MISS YOU AROUND HERE. 95 00:05:29,700 --> 00:05:31,030 YEAH, ME, TOO. 96 00:05:31,070 --> 00:05:32,370 CONGRATS. 97 00:05:32,400 --> 00:05:34,840 THANKS. 98 00:05:34,870 --> 00:05:36,170 WHAT'S GOING ON? 99 00:05:36,210 --> 00:05:39,520 FANCY FIND THAT MISSING PO‐PO WE HEARD ABOUT? 100 00:05:39,540 --> 00:05:42,680 THE LIEUTENANT'S BEING PROMOTED TO CAPTAIN. 101 00:05:42,710 --> 00:05:44,080 NO KIDDING. 102 00:05:44,120 --> 00:05:45,360 WHEN DID WORD COME DOWN? 103 00:05:45,380 --> 00:05:48,880 JUST NOW. ISN'T IT WONDERFUL? 104 00:05:48,920 --> 00:05:51,090 HEY, BOSS... 105 00:05:51,120 --> 00:05:52,390 NO ONE DESERVES THIS MORE THAN YOU. 106 00:05:52,420 --> 00:05:53,390 THANK YOU, DANNY. 107 00:05:53,420 --> 00:05:54,790 AHEM. 108 00:05:54,830 --> 00:05:57,440 DITTO FOR ME. 109 00:06:04,570 --> 00:06:06,200 WHEN ARE YOU GETTING MADE? 110 00:06:06,240 --> 00:06:07,450 NEXT TUESDAY. 111 00:06:07,470 --> 00:06:08,540 WHOA, THAT'S QUICK. 112 00:06:08,570 --> 00:06:10,310 ANYWAYS, AT THAT SOCIAL CLUB, 113 00:06:10,340 --> 00:06:11,770 D.O.A. IN THE TRUNK, 114 00:06:11,810 --> 00:06:14,240 WE FIGURE SOME RIVAL FAMILY DUMPED THE CAR OUTSIDE. 115 00:06:14,280 --> 00:06:16,110 SO WHOEVER DID IT WAS SENDING A MESSAGE? 116 00:06:16,150 --> 00:06:18,920 ONE OF THEM WISE GUYS STOPPED SCRATCHING HIS BALLS 117 00:06:18,950 --> 00:06:20,220 LONG ENOUGH TO GIVE US 118 00:06:20,250 --> 00:06:22,250 A TENTATIVE I. D. ON THE VICTIM ‐‐ 119 00:06:22,290 --> 00:06:23,730 EDDIE TESTA. 120 00:06:23,760 --> 00:06:25,060 WE'LL CHECK HIM AT OCCB 121 00:06:25,090 --> 00:06:27,560 AND HAVE AUTO SQUAD DO A LAWMAN SEARCH ON THE CAR. 122 00:06:27,590 --> 00:06:29,160 GOOD. 123 00:06:33,930 --> 00:06:36,770 LOOK, I DON'T MEAN TO SOUND LIKE A KILLJOY, 124 00:06:36,800 --> 00:06:39,070 BUT WHY ARE YOU DOING THIS, HUH? 125 00:06:39,100 --> 00:06:41,240 YOU MADE LIEUTENANT IN THE DETECTIVES' BUREAU. 126 00:06:41,270 --> 00:06:42,570 YOU'RE ALREADY MAKING CAPTAIN'S PAY. 127 00:06:42,610 --> 00:06:43,820 FOR ALL YOU KNOW, 128 00:06:43,840 --> 00:06:45,170 THEY'LL PUT YOU BACK IN THE BACK. 129 00:06:45,210 --> 00:06:47,140 THEY TOLD ME THEY'RE GOING TO DO WHAT THEY CAN 130 00:06:47,180 --> 00:06:48,410 TO RETAIN ME IN THE BUREAU. 131 00:06:48,450 --> 00:06:50,920 WELL, WHEN YOU'RE OUT IN FAR ROCKAWAY 132 00:06:50,950 --> 00:06:53,250 WORKING SOME SERIAL PURSE‐SNATCHER, 133 00:06:53,280 --> 00:06:55,250 DON'T SAY NOBODY WARNED YOU. 134 00:06:55,290 --> 00:06:58,700 THANKS FOR YOUR CONCERN, ANDY. 135 00:07:06,130 --> 00:07:07,930 ANY IDEA WHO'S REPLACING YOU? 136 00:07:07,970 --> 00:07:09,840 NOPE. 137 00:07:09,870 --> 00:07:11,930 NO NAMES MENTIONED, NOTHING LIKE THAT? 138 00:07:11,970 --> 00:07:14,800 I HEAR ANYTHING, YOU'LL BE THE FIRST TO KNOW. 139 00:07:16,840 --> 00:07:19,810 NINE YEARS BREAKING THIS GUY IN, 140 00:07:19,840 --> 00:07:21,810 HE JUST UPS AND LEAVES. 141 00:07:21,850 --> 00:07:22,990 COME ON, ANDY. 142 00:07:23,010 --> 00:07:25,150 YOU DON'T EXPECT SOMEONE TO TURN DOWN A PROMOTION. 143 00:07:26,550 --> 00:07:29,180 DETECTIVE, I BELIEVE I HEARD SOMETHING THIS MORNING 144 00:07:29,220 --> 00:07:31,790 ABOUT A ‐‐ A MISSING MALE MEMBER. 145 00:07:31,820 --> 00:07:33,660 YEAH. 146 00:07:33,690 --> 00:07:35,320 THIS CALL JUST CAME IN. 147 00:07:35,360 --> 00:07:37,530 A THUMB'S BEEN LOCATED AT THE ATM MACHINE 148 00:07:37,560 --> 00:07:40,200 AT THE CITIZENS' BANK AT 3rd AND 12th. 149 00:07:40,230 --> 00:07:41,630 A THUMB? 150 00:07:41,670 --> 00:07:43,810 THAT'S WHAT THEY SAID, A THUMB. 151 00:07:43,840 --> 00:07:46,480 THAT'S A COUPLE OF BLOCKS FROM THE SUBWAY STATION. 152 00:07:46,500 --> 00:07:47,970 COME ON. WHAT KIND OF JERK 153 00:07:48,010 --> 00:07:50,320 IS GOING TO CONFUSE SOMETHING THE SIZE OF A THUMB 154 00:07:50,340 --> 00:07:51,840 WITH WHAT YOU'RE LOOKING FOR? 155 00:07:51,880 --> 00:07:52,850 TRUST ME, DETECTIVE, 156 00:07:52,880 --> 00:07:54,150 THERE'S A LOT OF THEM OUT THERE 157 00:07:54,180 --> 00:07:55,740 THAT COULD BE CONFUSED WITH A THUMB. 158 00:07:58,680 --> 00:07:59,850 COME CHECK IT OUT? 159 00:08:01,790 --> 00:08:03,700 PSST. 160 00:08:05,260 --> 00:08:07,700 FANCY KNOWS WHO'S REPLACING HIM. 161 00:08:07,730 --> 00:08:09,600 WHO? 162 00:08:09,630 --> 00:08:11,030 HE SAYS THAT HE DON'T. 163 00:08:11,060 --> 00:08:12,760 SO YOU THINK HE'S HOLDING OUT ON US? 164 00:08:12,800 --> 00:08:14,670 I KNOW HE'S HOLDING OUT ON US. 165 00:08:14,700 --> 00:08:16,360 WHAT I DON'T KNOW IS WHY. 166 00:08:29,910 --> 00:08:32,450 HEY, KASUKAS, ANDY SIPOWICZ. 167 00:08:32,480 --> 00:08:34,280 I GOT A FAVOR TO ASK. 168 00:08:40,630 --> 00:08:42,100 SO WHERE IS IT? 169 00:08:42,130 --> 00:08:44,540 RIGHT THERE ON THE ATM. 170 00:08:44,560 --> 00:08:46,730 I CALLED EMS. 171 00:08:49,300 --> 00:08:51,900 I'LL TELL YOU ONE THING, THAT AIN'T NO THUMB. 172 00:08:51,940 --> 00:08:54,080 IF IT IS, IT'S MISSING A NAIL. 173 00:08:54,110 --> 00:08:55,910 AND THAT'S HALF. 174 00:08:55,940 --> 00:08:58,210 NO WONDER MY WIFE THREW ME OUT. 175 00:08:58,240 --> 00:09:01,210 LADY OVER THERE'S THE ONE WHO FOUND IT. 176 00:09:01,250 --> 00:09:05,490 NAME'S ALLISON HOPKINS. 177 00:09:05,520 --> 00:09:07,260 HAVE EMS GET THAT TO BELLEVUE. 178 00:09:07,290 --> 00:09:08,930 THERE'S A GUY THERE LOOKING FORWARD 179 00:09:08,950 --> 00:09:10,420 TO A FAMILY REUNION. 180 00:09:10,450 --> 00:09:12,720 I'M DETECTIVE RUSSELL. THIS IS DETECTIVE McDOWELL. 181 00:09:12,760 --> 00:09:14,300 COULD YOU TELL US WHAT HAPPENED? 182 00:09:14,330 --> 00:09:17,470 I WAS SHORT ON CASH, SO I WENT TO USE THE ATM. 183 00:09:17,500 --> 00:09:20,470 AS I STUCK IN MY CARD, I NOTICED THIS THUMB 184 00:09:20,500 --> 00:09:22,460 LYING THERE NEXT TO THE DEPOSIT SLIPS. 185 00:09:22,500 --> 00:09:23,670 I FOUND A SECURITY GUARD, 186 00:09:23,700 --> 00:09:25,130 AND I GUESS HE CALLED THE POLICE. 187 00:09:25,170 --> 00:09:26,300 YOU DIDN'T SEE WHO LEFT IT THERE? 188 00:09:26,340 --> 00:09:27,510 NO. 189 00:09:27,540 --> 00:09:29,140 WHOEVER IT WAS MUST BE CRAZY, 190 00:09:29,170 --> 00:09:30,340 CUT OFF SOMEONE'S THUMB 191 00:09:30,370 --> 00:09:32,240 AND LEAVE IT LYING THERE LIKE THAT. 192 00:09:32,280 --> 00:09:34,590 IT ISN'T ACTUALLY A THUMB. 193 00:09:34,610 --> 00:09:36,580 NO? THEN WHAT IS IT? 194 00:09:36,620 --> 00:09:37,590 A PENIS. 195 00:09:37,620 --> 00:09:39,660 ACTUALLY, HALF A PENIS. 196 00:09:39,680 --> 00:09:43,250 THAT'S SICK AND DISGUSTING, 197 00:09:43,290 --> 00:09:45,630 EVEN FOR NEW YORK. 198 00:10:00,500 --> 00:10:01,970 FOOD NO GOOD? 199 00:10:02,010 --> 00:10:06,050 NAH. IT'S EARLY IN THE DAY FOR ME HAVING LUNCH. 200 00:10:07,850 --> 00:10:08,990 UNCLE EDDIE MENTIONED 201 00:10:09,010 --> 00:10:10,650 YOU SEEMED A LITTLE UPSET WITH HIM 202 00:10:10,680 --> 00:10:13,150 TELLING ME ABOUT THAT SHOOTING. 203 00:10:13,180 --> 00:10:16,950 SEEMS LIKE YOU TWO GOT SOME KIND OF DIRECT PIPELINE. 204 00:10:16,990 --> 00:10:19,290 I GUESS HE FIGURED IF YOU WERE IN TROUBLE, 205 00:10:19,320 --> 00:10:20,290 I'D WANT TO KNOW. 206 00:10:20,320 --> 00:10:21,360 LOOK, UH, 207 00:10:21,390 --> 00:10:24,730 IT'S JUST THAT I PREFER PASSING ON MY OWN NEWS 208 00:10:24,760 --> 00:10:26,030 IN MY OWN TIME. 209 00:10:26,060 --> 00:10:28,800 INSTEAD, HE TELLS, YOU CALL ME... 210 00:10:28,830 --> 00:10:30,300 I'M SORRY. 211 00:10:30,330 --> 00:10:34,040 HEY, IT'S NOT WORTH GETTING INTO A HASSLE OVER. 212 00:10:36,840 --> 00:10:39,510 I DON'T WANT YOU TO THINK 213 00:10:39,540 --> 00:10:42,010 I'M TRYING TO PUT PRESSURE ON YOU, ANDY. 214 00:10:42,050 --> 00:10:44,520 IT'S JUST YOU'RE THE FIRST MAN I'VE MET 215 00:10:44,550 --> 00:10:46,580 IN A LONG TIME THAT I CARE ABOUT. 216 00:10:46,620 --> 00:10:49,650 I CARE ABOUT YOU, TOO, CYNTHIA. 217 00:10:49,690 --> 00:10:52,320 I HEAR A "BUT" IN THERE. 218 00:10:52,360 --> 00:10:56,500 THING IS, I DON'T KNOW IF I CAN GIVE YOU 219 00:10:56,530 --> 00:10:59,640 WHAT YOU'RE LOOKING FOR. 220 00:11:01,570 --> 00:11:03,040 IS THAT THE QUESTION, 221 00:11:03,070 --> 00:11:06,040 OR IS IT THAT YOU DON'T KNOW IF I CAN GIVE YOU 222 00:11:06,070 --> 00:11:07,770 WHAT YOU'RE LOOKING FOR? 223 00:11:07,810 --> 00:11:12,050 YEAH, UH, I DON'T KNOW. 224 00:11:12,080 --> 00:11:13,650 MAYBE. 225 00:11:18,080 --> 00:11:19,510 WE'RE NOT KIDS, ANDY, 226 00:11:19,550 --> 00:11:22,080 EITHER OF US. 227 00:11:22,120 --> 00:11:26,020 AT 42, MY SECOND‐FAVORITE WORD IS "NO." 228 00:11:26,060 --> 00:11:28,370 WHY DOES IT HAVE TO BE YES OR NO? 229 00:11:28,390 --> 00:11:31,030 WHAT ABOUT, UH, I GOT A HIGH‐STRESS JOB 230 00:11:31,060 --> 00:11:33,190 AND A 5‐YEAR‐OLD KID TO RAISE, 231 00:11:33,230 --> 00:11:35,430 AND LET'S JUST SEE HOW IT GOES? 232 00:11:35,470 --> 00:11:38,540 OKAY. LET'S DO THAT, 233 00:11:38,570 --> 00:11:40,670 SEE HOW IT GOES. 234 00:11:56,820 --> 00:11:58,450 PHOTOS OFF THE ATM 235 00:11:58,490 --> 00:12:00,790 MATCH THE DESCRIPTION THE VICTIM GAVE US. 236 00:12:00,830 --> 00:12:02,930 YOU GOT AN IDEA WHERE TO LOOK FOR THIS GUY? 237 00:12:02,960 --> 00:12:04,460 TRANSIT COPS SAID THERE'S HOMELESS GUYS 238 00:12:04,500 --> 00:12:05,970 THAT GIVE HUMMERS IN THE MEN'S ROOMS. 239 00:12:06,000 --> 00:12:07,070 SOME OF THEM SLEEP 240 00:12:07,100 --> 00:12:08,260 IN THESE OLD DESERTED SUBWAY TUNNELS. 241 00:12:10,000 --> 00:12:11,300 [ Sighs ] YEAH. 242 00:12:11,340 --> 00:12:13,980 THANKS FOR GETTING BACK TO ME. 243 00:12:14,010 --> 00:12:15,350 DALTO. 244 00:12:17,010 --> 00:12:20,310 SUSAN DALTO? 245 00:12:20,340 --> 00:12:23,510 [ Sighs ] SPELL THAT. 246 00:12:23,550 --> 00:12:26,480 D‐A‐L‐T‐O. 247 00:12:26,520 --> 00:12:28,830 OKAY, THANKS. 248 00:12:28,850 --> 00:12:30,920 THIS WOMAN LIEUTENANT DALTO, 249 00:12:30,960 --> 00:12:33,100 THAT'S WHO'S REPLACING FANCY. 250 00:12:33,120 --> 00:12:35,690 SHE'S COMING OVER FROM THE RAT SQUAD. 251 00:12:35,730 --> 00:12:36,840 OH, JEEZ. 252 00:12:36,860 --> 00:12:38,260 THIS IS A DISASTER. 253 00:12:38,300 --> 00:12:40,140 WELL, IN THE MEANTIME, THE BALLISTICS CAME BACK. 254 00:12:40,160 --> 00:12:41,830 THE SLUGS WERE FIRED OUT OF A .22 PISTOL. 255 00:12:41,870 --> 00:12:43,270 ODD WEAPON OF CHOICE. 256 00:12:43,300 --> 00:12:44,500 YEAH, THE D. O. A., 257 00:12:44,540 --> 00:12:45,980 HE WAS A LOW‐LEVEL BUTTON MAN FOR SCARPELLI. 258 00:12:46,000 --> 00:12:47,840 OCCB HEARD THAT MAYBE HE WAS BANGING SOME BROAD 259 00:12:47,870 --> 00:12:49,040 HE SHOULDN'T HAVE. 260 00:12:49,070 --> 00:12:50,140 THINKING WITH HIS DICK? 261 00:12:50,170 --> 00:12:51,770 STEP UP FOR MOST OF THESE GUYS. 262 00:12:51,810 --> 00:12:53,940 THAT LAWMAN SEARCH MAY BE THE JACKPOT. 263 00:12:53,980 --> 00:12:56,710 THAT CAR TESTA GOT DUMPED IN WAS STOLEN LAST WEEK. 264 00:12:56,750 --> 00:12:58,680 THERE'S A SHOCK. 265 00:12:58,720 --> 00:13:00,490 YEAH, BUT FOUR DAYS AGO THERE WAS A TRAFFIC SUMMONS 266 00:13:00,520 --> 00:13:02,280 ISSUED IN BROOKLYN OFF THE AUTOMATIC CAMERA. 267 00:13:02,320 --> 00:13:03,280 DRIVER RAN A LIGHT. 268 00:13:03,320 --> 00:13:04,450 THIS THE DRIVER? 269 00:13:04,490 --> 00:13:06,660 YEAH, I GOT THAT FROM AUTO CRIMES. 270 00:13:06,690 --> 00:13:08,790 I KNOW THIS GUY. I'VE SEEN HIM LOTS OF TIMES. 271 00:13:08,830 --> 00:13:09,740 WHO IS HE? 272 00:13:09,760 --> 00:13:10,960 I DON'T KNOW. 273 00:13:11,000 --> 00:13:13,370 THIS SOME GUY YOU COLLARED? 274 00:13:13,400 --> 00:13:14,640 NO, NO, NOT LIKE THAT. 275 00:13:14,670 --> 00:13:16,710 IT'S SOME GUY THAT YOU SEE AROUND. 276 00:13:16,740 --> 00:13:17,910 BALDWIN. 277 00:13:17,940 --> 00:13:19,080 YEAH? 278 00:13:19,100 --> 00:13:21,400 DO YOU KNOW THIS GUY? 279 00:13:22,910 --> 00:13:24,320 NO, NO. 280 00:13:24,340 --> 00:13:27,380 YOU KNOW THIS GUY, GREG? 281 00:13:27,410 --> 00:13:28,540 SURE. 282 00:13:28,580 --> 00:13:29,880 YEAH, THAT'S THE GUY THAT RUNS 283 00:13:29,910 --> 00:13:32,550 KARAMAZA'S PIZZA OVER ON MULBERRY STREET. 284 00:13:32,580 --> 00:13:33,510 HOW COME? 285 00:13:33,550 --> 00:13:35,650 THANKS. 286 00:13:35,690 --> 00:13:37,530 Diane: WE'LL LET YOU KNOW WHAT WE FIND. 287 00:13:40,360 --> 00:13:41,820 LAWMAN'S SEARCH KICKS OUT A PHOTO 288 00:13:41,860 --> 00:13:42,990 OFF A TRAFFIC SUMMONS. 289 00:13:43,030 --> 00:13:44,170 ANDY AND GREG RECOGNIZE THE GUY, 290 00:13:44,200 --> 00:13:45,440 OWNS A LOCAL PIZZA JOINT. 291 00:13:45,460 --> 00:13:48,860 SO CHECK WITH OCCB THEN GO GRAB HIM UP. 292 00:13:48,900 --> 00:13:50,930 YEAH, THAT'S WHAT WE WERE THINKING. 293 00:13:53,040 --> 00:13:54,550 SOMETHING ELSE? 294 00:13:59,440 --> 00:14:00,740 HOW COME YOU DON'T TELL US 295 00:14:00,780 --> 00:14:03,180 THE REPLACEMENT FOR YOU HAS ALREADY BEEN PICKED? 296 00:14:03,210 --> 00:14:04,550 WHAT ARE YOU TALKING ABOUT? 297 00:14:04,580 --> 00:14:07,120 SOURCE AT ONE P. P.'s NEVER STEERED ME WRONG, 298 00:14:07,150 --> 00:14:09,250 SAYS IT'S A WOMAN OUT OF THE RAT SQUAD 299 00:14:09,290 --> 00:14:10,560 NAMED SUSAN DALTO. 300 00:14:10,590 --> 00:14:12,790 ANDY, AS FAR AS I KNOW, NOTHING'S BEEN DECIDED. 301 00:14:12,820 --> 00:14:15,090 TRY NOT TO GET YOURSELF ALL WORKED UP. 302 00:14:15,130 --> 00:14:16,900 YEAH, RIGHT. 303 00:14:16,930 --> 00:14:18,430 LOOK, IF IT MAKES YOU FEEL ANY BETTER, 304 00:14:18,460 --> 00:14:20,100 I'LL PUT A CALL INTO PERSONNEL MYSELF. 305 00:14:27,640 --> 00:14:29,540 I THINK THAT'S ANDY'S WAY OF SAYING 306 00:14:29,570 --> 00:14:31,440 HE'S GOING TO MISS YOU LIKE HELL. 307 00:14:48,490 --> 00:14:49,830 NO SURPRISE, I GUESS, 308 00:14:49,860 --> 00:14:52,090 OCCB SHOWS THAT THIS GUY'S GOT TIES 309 00:14:52,130 --> 00:14:53,730 TO THE MARINO FAMILY. 310 00:14:53,770 --> 00:14:56,410 YEAH, THEM GUYS IN THE MARINO FAMILY ‐‐ 311 00:14:56,430 --> 00:14:57,970 IT WAS ONE OF THEM 312 00:14:58,000 --> 00:14:59,970 ALMOST KILLED ME EIGHT YEARS AGO. 313 00:15:00,000 --> 00:15:02,740 YEAH, I REMEMBER HEARING SOMETHING ABOUT IT. 314 00:15:02,770 --> 00:15:04,770 I TOOK FIVE SLUGS. 315 00:15:04,810 --> 00:15:07,110 IT PUT ME IN A COMA. 316 00:15:07,150 --> 00:15:09,790 TOOK A COUPLE RIGHT IN MY ASS. 317 00:15:09,810 --> 00:15:11,610 COULDN'T SIT DOWN FOR MONTHS 318 00:15:11,650 --> 00:15:13,480 WITHOUT ONE OF THEM PILLOWS. 319 00:15:13,520 --> 00:15:14,660 OUCH. 320 00:15:14,690 --> 00:15:16,760 WELL, I'M GLAD YOU MADE IT. 321 00:15:16,790 --> 00:15:19,420 IT WAS AFTER COMING THROUGH THAT 322 00:15:19,460 --> 00:15:20,900 I QUIT DRINKING. 323 00:15:25,900 --> 00:15:28,040 LOOKS LIKE OUR GUY. 324 00:15:28,070 --> 00:15:30,380 LET HIM GET IN HIS CAR. 325 00:15:44,820 --> 00:15:46,990 GET OUT OF THE CAR. 326 00:15:47,020 --> 00:15:48,350 WHY? 327 00:15:48,390 --> 00:15:49,900 GET OUT. 328 00:15:49,920 --> 00:15:51,290 GET OUT OF THE CAR. 329 00:15:51,320 --> 00:15:52,650 HANDS UP. 330 00:15:52,690 --> 00:15:55,460 GET YOUR HANDS UP. YOU PACKING, CHARLIE? 331 00:15:55,490 --> 00:15:58,290 WHAT'S THIS? 332 00:15:58,330 --> 00:16:00,400 YOU NEED IT TO STIR YOUR TOMATO SAUCE? 333 00:16:00,430 --> 00:16:01,560 I'M SURE HE'S GOT A PERMIT FOR THAT, ANDY. 334 00:16:01,600 --> 00:16:04,230 ALL RIGHT, LET'S HAVE UNIFORM RESPOND 335 00:16:04,270 --> 00:16:05,830 AND HAVE THE CAR BROUGHT IN. 336 00:16:05,870 --> 00:16:07,200 HEY, VINNIE, CALL MY LAWYER. 337 00:16:18,450 --> 00:16:19,550 OKAY. 338 00:16:19,580 --> 00:16:23,050 HANK, STICK THIS GUY IN THE POKEY. 339 00:16:23,090 --> 00:16:25,360 OKAY, YOU'RE WELCOME. 340 00:16:25,390 --> 00:16:27,160 DETECTIVE? 341 00:16:27,190 --> 00:16:29,160 WHAT IS IT, JOHN? 342 00:16:29,190 --> 00:16:30,930 FORGIVE ME, BUT THAT NAME YOU MENTIONED EARLIER, 343 00:16:30,960 --> 00:16:32,390 SUSAN DALTO, IS SHE BEING CONSIDERED 344 00:16:32,430 --> 00:16:33,930 AS A REPLACEMENT FOR LIEUTENANT FANCY? 345 00:16:33,970 --> 00:16:35,740 YEAH, WHY? I HATE TO SAY THIS 346 00:16:35,770 --> 00:16:37,280 BECAUSE I LIKE IT HERE VERY MUCH, 347 00:16:37,300 --> 00:16:38,500 BUT IF THAT WOMAN IS GOING TO BE 348 00:16:38,540 --> 00:16:39,750 REPLACING LIEUTENANT FANCY, 349 00:16:39,770 --> 00:16:41,170 I'D HAVE TO THINK ABOUT TRANSFERRING OUT. 350 00:16:41,210 --> 00:16:42,380 YOU'RE SAYING YOU KNOW HER? 351 00:16:42,410 --> 00:16:44,450 I'M AFRAID SO. SHE'S A MEMBER 352 00:16:44,480 --> 00:16:46,590 OF THE GAY OFFICERS' ACTION LEAGUE. 353 00:16:46,610 --> 00:16:48,840 G.O.A.L.? SHE'S A MEMBER OF G. O. A. L.? 354 00:16:48,880 --> 00:16:52,110 ACTUALLY, SHE'S QUITE ACTIVE IN THE ORGANIZATION. 355 00:16:52,150 --> 00:16:53,750 IF YOU DON'T MIND MY SAYING, 356 00:16:53,790 --> 00:16:55,030 SHE'S A REAL BALL‐BUSTER. 357 00:16:55,050 --> 00:16:56,520 AHEM. 358 00:16:56,560 --> 00:16:58,860 GERALD HOLTZMAN REPRESENTING CHARLES KARAMAZA. 359 00:16:58,890 --> 00:17:01,260 UH, YES, MR. HOLTZMAN. 360 00:17:01,290 --> 00:17:03,360 JERRY HOLTZMAN ‐‐ ANOTHER MOB LAWYER 361 00:17:03,390 --> 00:17:07,130 COME TO PROTECT THE RIGHTS OF ANOTHER SCUMBAG. 362 00:17:07,170 --> 00:17:08,110 DETECTIVE SIPOWICZ. 363 00:17:08,130 --> 00:17:09,200 HOW'D YOU GET HERE SO QUICK? 364 00:17:09,230 --> 00:17:11,870 I WAS ON MY WAY TO COURT AND I GOT A CALL. 365 00:17:11,900 --> 00:17:14,040 SO, WAS MY INFORMATION CORRECT? 366 00:17:14,070 --> 00:17:15,440 DO YOU HAVE MR. KARAMAZA IN CUSTODY? 367 00:17:15,470 --> 00:17:16,470 YEAH. 368 00:17:16,510 --> 00:17:17,720 I'D LIKE TO SEE HIM. 369 00:17:17,740 --> 00:17:20,810 OF COURSE YOU WOULD, COUNSELOR. 370 00:17:22,310 --> 00:17:25,150 DOES HE HAVE YOUR NUMBER? 371 00:17:32,660 --> 00:17:36,100 SO FAR THE ONLY THING WE'VE SEEN ARE RATS. 372 00:17:36,130 --> 00:17:37,800 YEAH, THESE HOMELESS TYPES 373 00:17:37,830 --> 00:17:39,730 ARE PRETTY RESOURCEFUL, DIANE. 374 00:17:39,760 --> 00:17:41,730 IF THEY'RE DOWN HERE, 375 00:17:41,770 --> 00:17:43,740 THEY'LL HAVE CATS TO TAKE CARE OF THE RATS. 376 00:17:43,770 --> 00:17:45,600 WHAT GOOD IS THAT GOING TO DO? 377 00:17:45,640 --> 00:17:47,980 SOME OF THESE RATS ARE BIGGER THAN CATS. 378 00:17:48,010 --> 00:17:53,320 Baldwin: HEY, YOU, COME HERE. 379 00:17:53,340 --> 00:17:56,510 YOU RECOGNIZE THIS GUY? 380 00:17:56,550 --> 00:17:58,150 NAH. 381 00:17:58,180 --> 00:17:59,950 [ BOTTLE RATTLES ] 382 00:17:59,980 --> 00:18:01,980 POLICE. DON'T MOVE. 383 00:18:02,020 --> 00:18:03,820 DON'T SHOOT. WE AIN'T DONE NOTHING. 384 00:18:03,860 --> 00:18:04,960 WHAT'S YOUR NAME? 385 00:18:04,990 --> 00:18:06,320 TERRY LOMAX. 386 00:18:06,360 --> 00:18:07,770 HOW LONG YOU LIVED DOWN HERE, TERRY? 387 00:18:07,790 --> 00:18:11,160 ME? MUST BE ABOUT TWO YEARS NOW. 388 00:18:11,200 --> 00:18:12,940 HOW DO YOU STAND IT? 389 00:18:12,960 --> 00:18:14,200 COMPARED TO WHAT? 390 00:18:14,230 --> 00:18:16,160 BEING OUT ON THE STREET COMBING GARBAGE CANS, 391 00:18:16,200 --> 00:18:18,170 GETTING YOUR ASS WHOOPED BY SOME FRUIT LOOP 392 00:18:18,200 --> 00:18:19,330 FOR SOME SHILL? 393 00:18:19,370 --> 00:18:21,440 YOU RECOGNIZE THIS GUY? 394 00:18:21,470 --> 00:18:23,540 SURE. THAT'S SHORTY BOONE. 395 00:18:23,580 --> 00:18:25,450 THAT'S HIS NAME, SHORTY BOONE? 396 00:18:25,480 --> 00:18:27,950 UH‐HUH. CRAZY LITTLE DUDE, HUSTLES TRICKS. 397 00:18:27,980 --> 00:18:29,140 YOU KNOW WHERE WE COULD FIND HIM? 398 00:18:29,180 --> 00:18:30,380 HE DONE SOMETHING? 399 00:18:30,410 --> 00:18:32,450 WHAT ARE YOU, HIS LAWYER? ANSWER THE QUESTION. 400 00:18:32,480 --> 00:18:33,780 SHORTY WAS HERE LAST NIGHT. 401 00:18:33,820 --> 00:18:35,820 HE LEFT A COUPLE OF HOURS AGO TO GO DO HIS THING. 402 00:18:35,850 --> 00:18:37,120 AND YOU HAVEN'T SEEN HIM SINCE? 403 00:18:37,160 --> 00:18:38,500 YOU WANT TO KEEP YOUR SPOT DOWN HERE, 404 00:18:38,520 --> 00:18:40,220 TELL US WHAT YOU KNOW. 405 00:18:40,260 --> 00:18:42,360 MIGHT FIND HIM ON THE UPTOWN 406 00:18:42,390 --> 00:18:44,960 LEXINGTON AVENUE LINE AT 14th STREET 407 00:18:45,000 --> 00:18:46,300 IN THE MEN'S ROOM ‐‐ 408 00:18:46,330 --> 00:18:47,860 ONE OF HIS FAVORITE SPOTS. 409 00:18:47,900 --> 00:18:49,060 ALL RIGHT, THANKS. 410 00:19:02,080 --> 00:19:05,210 HOW LONG HAS THAT SHYSTER WEASEL HOLTZMAN BEEN IN THERE? 411 00:19:05,250 --> 00:19:07,480 UH, GOING ON AN HOUR. 412 00:19:07,520 --> 00:19:08,920 GREASEBALL CLIENT OF HIS 413 00:19:08,950 --> 00:19:11,820 MUST BE HAVING TROUBLE GETTING HIS LIES STRAIGHT. 414 00:19:11,860 --> 00:19:13,330 LET THIS KARAMAZA LIE ALL HE WANTS. 415 00:19:13,360 --> 00:19:14,770 WE'VE GOT HIS PICTURE IN THE CAR 416 00:19:14,790 --> 00:19:16,490 AND THE WEAPON MATCHED UP TO BALLISTICS. 417 00:19:16,530 --> 00:19:19,340 DETECTIVES, AS A PREREQUISITE TO FURTHER DISCUSSION, 418 00:19:19,360 --> 00:19:21,530 MY CLIENT WOULD LIKE TO HAVE PRESENT REPRESENTATIVES 419 00:19:21,570 --> 00:19:25,380 OF BOTH THE DISTRICT ATTORNEY AND U. S. ATTORNEY'S OFFICE. 420 00:19:25,400 --> 00:19:28,000 FOR WHAT, SO WE CAN MAKE SOME HALF‐ASSED DEAL? 421 00:19:28,040 --> 00:19:31,040 MR. KARAMAZA IS PREPARED, UNDER THE RIGHT CIRCUMSTANCE, 422 00:19:31,080 --> 00:19:33,120 TO PROVIDE CONSIDERABLE INFORMATION 423 00:19:33,140 --> 00:19:35,240 ON SEVERAL DOZEN UNSOLVED HOMICIDES, 424 00:19:35,280 --> 00:19:37,750 BUT UNTIL THE D. A. AND U. S. ATTORNEY ARE PRESENT, 425 00:19:37,780 --> 00:19:39,510 HE SHALL REMAIN MUTE. 426 00:19:39,550 --> 00:19:41,380 YOUR CLIENT'S CONSCIENCE IS BOTHERING HIM, 427 00:19:41,420 --> 00:19:42,680 HE CAN UNBURDEN HIMSELF 428 00:19:42,720 --> 00:19:44,850 WHEN THEY'RE STRAPPING HIM DOWN TO GIVE HIM THE NEEDLE. 429 00:19:44,890 --> 00:19:47,290 I'M OFFERING YOU AN OPPORTUNITY, DETECTIVES. 430 00:19:47,330 --> 00:19:49,870 WE CAN DO THIS HERE AND YOU CAN CLEAR CASES, 431 00:19:49,890 --> 00:19:51,960 OR YOU CAN HAVE MY CLIENT ARRAIGNED, 432 00:19:52,000 --> 00:19:54,110 AND I WILL HAVE HIM OUT OF YOUR HANDS 433 00:19:54,130 --> 00:19:55,100 MAKING THE CALLS MYSELF. 434 00:19:55,130 --> 00:19:56,530 IT'S UP TO YOU. 435 00:19:56,570 --> 00:20:00,100 WE MAKE THOSE CALLS, HE BETTER HAVE SOMETHING. 436 00:20:10,080 --> 00:20:12,110 WHAT MY CLIENT IS LOOKING FOR IS A DEAL 437 00:20:12,150 --> 00:20:14,950 WHERE HE NEVER SPENDS A DAY IN JAIL. 438 00:20:14,990 --> 00:20:17,260 IF HE'S LOOKING FOR US NOT TO CHARGE HIM 439 00:20:17,290 --> 00:20:19,320 WITH THE MURDER OF EDDIE TESTA, 440 00:20:19,360 --> 00:20:20,800 HE'D BETTER HAVE SOMETHING SOLID. 441 00:20:20,830 --> 00:20:22,470 IN 30 YEARS AS A MADE MEMBER 442 00:20:22,490 --> 00:20:24,560 OF THE MARINO CRIME FAMILY, 443 00:20:24,600 --> 00:20:26,810 MR. KARAMAZA HAS COMMITTED 27 MURDERS. 444 00:20:26,830 --> 00:20:28,500 IN ADDITION, HE HAS KNOWLEDGE 445 00:20:28,530 --> 00:20:30,230 ON DOZENS COMMITTED BY OTHERS, 446 00:20:30,270 --> 00:20:32,670 SOME RIGHT HERE IN THIS PRECINCT. 447 00:20:32,700 --> 00:20:37,410 FULL WRITTEN DISCLOSURE AND TRIAL TESTIMONY. 448 00:20:37,440 --> 00:20:38,940 ON ALL HOMICIDES. 449 00:20:38,980 --> 00:20:40,120 MISS HAYWOOD? 450 00:20:43,380 --> 00:20:44,810 LET'S SEE WHAT HE'S GOT TO SAY. 451 00:20:44,850 --> 00:20:47,350 I'M ASSUMING THIS MEANS WE'VE GOT A DEAL. 452 00:20:47,390 --> 00:20:48,430 SO, IN OTHER WORDS, 453 00:20:48,450 --> 00:20:50,250 FOR THIS GUY KILLING 27 PEOPLE, 454 00:20:50,290 --> 00:20:52,490 HE FIGURES HIS PUNISHMENT SHOULD BE A NEW CONDO 455 00:20:52,520 --> 00:20:53,920 WITH A LAP POOL IN PHOENIX 456 00:20:53,960 --> 00:20:55,490 NEXT DOOR TO SAMMY THE BULL? 457 00:20:55,530 --> 00:20:58,840 OR PERHAPS HE'D SETTLE FOR A JACUZZI. 458 00:21:07,570 --> 00:21:09,710 SO, WHO DO YOU WANT TO KNOW ABOUT? 459 00:21:09,740 --> 00:21:11,710 CHICKY NADUCCI? TWO IN THE BACK OF THE HEAD. 460 00:21:11,740 --> 00:21:14,280 GAUGED HIS EYES OUT IN '85. 461 00:21:14,310 --> 00:21:18,280 JIMMY ACHES ‐‐ ICE PICK IN THE EAR IN '91. 462 00:21:18,320 --> 00:21:20,830 CHARLIE, HERE'S A LIST OF UNCLEARED HOMICIDES 463 00:21:20,850 --> 00:21:21,980 FROM THIS PRECINCT. 464 00:21:22,020 --> 00:21:23,820 YOUR LAWYER SAID YOU HAD INFORMATION. 465 00:21:25,890 --> 00:21:27,220 OH, YEAH. 466 00:21:27,260 --> 00:21:29,120 UH, RENE MINICUZZI... 467 00:21:29,160 --> 00:21:30,660 STEVIE LOPEZ... 468 00:21:30,700 --> 00:21:32,370 LUCA BAZOLLI ‐‐ 469 00:21:32,400 --> 00:21:34,310 YEAH, THESE THREE ARE MINE. 470 00:21:34,330 --> 00:21:35,730 RICKY RIVERA, THAT WASN'T ME, 471 00:21:35,770 --> 00:21:37,840 BUT I KNOW WHO DID IT, NOT THAT I MINDED 472 00:21:37,870 --> 00:21:39,470 THIS LITTLE PRICK GETTING WHACKED. 473 00:21:39,500 --> 00:21:41,900 RICKY RIVERA WAS THAT COLOMBIAN DEALER. 474 00:21:41,940 --> 00:21:43,970 YEAH, HE GOT WHACKED ‐‐ HE GOT WHACKED IN '91. 475 00:21:44,010 --> 00:21:46,840 HE WAS PAYING TRIBUTE TO US ON HIS COKE DEALS. 476 00:21:46,880 --> 00:21:48,680 WE LOST A NICE LITTLE INCOME STREAM ON THAT ONE, 477 00:21:48,710 --> 00:21:50,680 AND THEY GAVE ME THE CONTRACT ON THE GUY WHO DID IT. 478 00:21:50,720 --> 00:21:52,320 HOW ABOUT YOU GIVE US THAT NAME? 479 00:21:52,350 --> 00:21:54,180 KENNY SOTO‐MAYOR. 480 00:21:54,220 --> 00:21:55,420 IS THAT A PART OF SOME DRUG WAR, 481 00:21:55,450 --> 00:21:56,650 THIS KENNY WHACKING RIVERA? 482 00:21:56,690 --> 00:21:58,190 NAH. THIS IS STRICTLY FREELANCE. 483 00:21:58,220 --> 00:21:59,560 KENNY WAS A COLLEGE KID ‐‐ 484 00:21:59,590 --> 00:22:01,060 HUNTER OR FORDHAM, ONE OF THEM PLACES. 485 00:22:01,090 --> 00:22:02,990 I COMBED THE FIVE BOROUGHS LOOKING FOR HIM. 486 00:22:03,030 --> 00:22:04,540 AND WHAT HAPPENED WHEN YOU FOUND HIM? 487 00:22:04,560 --> 00:22:06,490 NEVER DID. LOOKED FOR HIM FOR SIX MONTHS. 488 00:22:06,530 --> 00:22:07,830 JUST WENT POOF. 489 00:22:07,870 --> 00:22:10,580 HOW ABOUT HIM? 490 00:22:10,600 --> 00:22:14,240 YEAH, BOGEY SCALFO, THAT FAT, NO‐GOOD MOPE ‐‐ 491 00:22:14,270 --> 00:22:15,340 UH, '88, '89. 492 00:22:15,370 --> 00:22:17,240 TRIED TO SINK HIS HOOKS INTO THE ROOFERS' UNION. 493 00:22:17,280 --> 00:22:18,720 THAT'S MARINOS', 494 00:22:18,740 --> 00:22:21,010 SO I PACK A BOMB FULL OF THEM BIG ROOFER'S NAILS, 495 00:22:21,050 --> 00:22:22,420 I STUCK IT UNDER HIS PORCH, 496 00:22:22,450 --> 00:22:23,920 BYE‐BYE PAULIE. 497 00:22:40,130 --> 00:22:42,100 DID YOU REALLY THINK THE STENCH OF PISS 498 00:22:42,130 --> 00:22:43,600 WAS GOING TO BE ANY LESS IN HERE 499 00:22:43,640 --> 00:22:45,080 THAN WHAT WE JUST CAME FROM? 500 00:22:50,580 --> 00:22:52,550 POLICE! OPEN UP AND ZIP THEM UP! 501 00:22:52,580 --> 00:22:53,480 OH, MY GOD! 502 00:22:53,510 --> 00:22:54,910 PUT YOUR HANDS UP! 503 00:22:54,950 --> 00:22:56,050 OH, MY GOD! 504 00:22:56,080 --> 00:22:57,550 OKAY, NOW OPEN THE DOOR. 505 00:22:57,580 --> 00:22:58,880 COME OUT NICE AND SLOW. 506 00:22:58,920 --> 00:23:00,830 BOTH OF YOU. 507 00:23:00,850 --> 00:23:02,880 NOW, I CAN EXPLAIN, MAN. 508 00:23:02,920 --> 00:23:04,990 SHORTY'S GOING TO EXPLAIN WHAT HE WAS DOING 509 00:23:05,020 --> 00:23:06,720 STANDING WITH HIS FEET IN THE BAG 510 00:23:06,760 --> 00:23:09,460 WHILE THIS GUY WAS SITTING DOWN ON THE CAN. 511 00:23:10,860 --> 00:23:12,830 WHAT'S YOUR NAME? 512 00:23:12,860 --> 00:23:14,560 IS THIS REALLY NECESSARY? 513 00:23:14,600 --> 00:23:15,600 YES. 514 00:23:15,630 --> 00:23:17,070 WILLIAM KAUFMAN. 515 00:23:17,100 --> 00:23:18,230 WHERE DO YOU WORK, WILLIAM? 516 00:23:18,270 --> 00:23:19,500 OH, GOD. ON WALL STREET. 517 00:23:19,540 --> 00:23:20,950 FOR WHO ON WALL STREET? PARSONS AND COMPANY. 518 00:23:20,970 --> 00:23:22,440 YEAH? WHAT BRINGS YOU UPTOWN? 519 00:23:22,470 --> 00:23:24,970 SHORTY ONE OF YOUR EXPERTS IN EMERGING MARKETS? 520 00:23:25,010 --> 00:23:27,240 I'M SURE YOU'RE AWARE SOLICITING SEX IS A CRIME. 521 00:23:27,280 --> 00:23:28,310 OFFICERS, PLEASE, I HAVE A WIFE. 522 00:23:28,350 --> 00:23:29,450 I HAVE TWO DAUGHTERS. 523 00:23:29,480 --> 00:23:30,980 ARE WE EVER GOING TO FIND YOU HERE AGAIN? 524 00:23:31,020 --> 00:23:32,090 NO, ABSOLUTELY NOT. 525 00:23:32,120 --> 00:23:33,420 TAKE YOUR BAG AND GET OUT OF HERE. 526 00:23:33,450 --> 00:23:35,920 YOU HAVE NO IDEA HOW LUCKY YOU ARE. 527 00:23:35,950 --> 00:23:38,190 YEAH, OKAY. 528 00:23:38,220 --> 00:23:39,620 I DON'T GET IT. 529 00:23:39,660 --> 00:23:41,460 VINCENT, THIS GUY? 530 00:23:41,490 --> 00:23:43,760 THIS SHORTY'S A REAL SKANK. 531 00:23:43,800 --> 00:23:45,670 MUST BE PART OF THE CHARM. 532 00:23:45,700 --> 00:23:48,040 CAN'T A BROTHER MAKE A BUCK? 533 00:23:57,510 --> 00:24:00,210 SO THIS KENNY SOTO‐MAYOR THAT KARAMAZA GAVE US, 534 00:24:00,240 --> 00:24:02,780 LOOKS LIKE HE'S A CUSTOMS OFFICER AT JFK. 535 00:24:02,810 --> 00:24:04,280 CUSTOMS OFFICER. 536 00:24:04,320 --> 00:24:06,790 I'M CALLING LOCAL COLLEGES TO FIND THE KENNY SOTO‐MAYOR 537 00:24:06,820 --> 00:24:09,220 THAT DROPPED OUT OF FORDHAM IN '91. 538 00:24:09,250 --> 00:24:11,190 THEY GAVE ME HIS SOCIAL SECURITY NUMBER, 539 00:24:11,220 --> 00:24:13,320 AND BCI RUNS IT THROUGH THE FEDERAL DATABASE. 540 00:24:13,360 --> 00:24:14,800 UP COMES KENNETH SOTO‐MAYOR. 541 00:24:14,830 --> 00:24:17,300 WENT IN THE ARMY FOR FOUR YEARS, 542 00:24:17,330 --> 00:24:19,230 JOINED CUSTOMS IN '95. 543 00:24:19,260 --> 00:24:22,200 A LOT OF GUYS JOIN UP TO STAY OUT OF JAIL. 544 00:24:22,230 --> 00:24:24,700 THIS GUY JOINS THE ARMY TO STAY ALIVE. 545 00:24:24,740 --> 00:24:26,210 WELL, GOING OVERSEAS 546 00:24:26,240 --> 00:24:28,050 EXPLAINS WHY KARAMAZA NEVER FOUND HIM. 547 00:24:28,070 --> 00:24:30,140 JOSH, STICK THIS GUY IN INTERVIEW THREE. 548 00:24:30,170 --> 00:24:31,640 WE'LL BE RIGHT IN. 549 00:24:31,680 --> 00:24:33,080 RIGHT. 550 00:24:33,110 --> 00:24:34,540 GOT ANY TOOTHPASTE? 551 00:24:34,580 --> 00:24:36,040 YEAH, IN MY LOCKER. 552 00:24:36,080 --> 00:24:38,550 YEAH, MAKE SURE HE USES THE WHOLE TUBE OF IT 553 00:24:38,580 --> 00:24:40,020 BEFORE WE TALK TO HIM. 554 00:24:40,050 --> 00:24:42,250 REMEMBER THAT DEALER RICKY RIVERA, 555 00:24:42,290 --> 00:24:43,760 GOT WHACKED IN HIS CAR? 556 00:24:43,790 --> 00:24:45,320 '90, '91. 557 00:24:45,360 --> 00:24:47,270 THIS KARAMAZA GIVES US A NAME ‐‐ KENNY SOTO‐MAYOR. 558 00:24:47,290 --> 00:24:49,260 RAN HIM THROUGH THE FEDS. 559 00:24:49,290 --> 00:24:51,260 HE'S WORKING U. S. CUSTOMS AT JFK. 560 00:24:51,300 --> 00:24:53,670 MAYBE THAT'S A COVER FOR HIM DEALING. 561 00:24:53,700 --> 00:24:56,160 YOU'RE SAYING THERE'S FEDS COULD BE INVOLVED IN DRUG DEALING? 562 00:24:56,200 --> 00:24:58,230 WE'LL PUT IN A CALL TO HIS SUPERVISOR. 563 00:24:58,270 --> 00:25:00,400 LISTEN, I JUST SPOKE WITH PERSONNEL. 564 00:25:00,440 --> 00:25:03,400 LOOKS LIKE YOU WERE RIGHT. 565 00:25:03,440 --> 00:25:06,370 THE NEW SQUAD COMMANDER IS A LIEUTENANT SUSAN DALTO... 566 00:25:06,410 --> 00:25:08,010 FROM I. A. B. 567 00:25:08,050 --> 00:25:10,360 WE'RE REALLY GETTING SOMEONE FROM THE RAT SQUAD? 568 00:25:10,380 --> 00:25:11,850 THAT'S HOW IT LOOKS. 569 00:25:11,880 --> 00:25:13,850 WELL, THANKS FOR THE HEADS UP. 570 00:25:13,890 --> 00:25:16,730 YEAH, THANKS. 571 00:25:21,630 --> 00:25:23,430 WHAT'S GOING ON? 572 00:25:23,460 --> 00:25:25,130 FANCY'S REPLACEMENT IS COMING OVER 573 00:25:25,160 --> 00:25:26,930 FROM THE RAT SQUAD. 574 00:25:26,970 --> 00:25:28,440 THE RAT SQUAD? 575 00:25:29,670 --> 00:25:34,640 LIEUTENANT DALTO TO SEE LIEUTENANT FANCY. 576 00:25:34,670 --> 00:25:36,100 DON'T I KNOW YOU? 577 00:25:36,140 --> 00:25:38,140 JOHN IRVIN FROM G. O. A. L. 578 00:25:38,180 --> 00:25:39,620 I'M THE P. A. A. HERE. 579 00:25:39,640 --> 00:25:42,040 SWEET. 580 00:25:42,080 --> 00:25:46,920 LIEUTENANT FANCY'S OFFICE IS RIGHT BACK THERE. 581 00:25:51,790 --> 00:25:53,660 WHO'S THAT? 582 00:25:53,690 --> 00:25:56,560 THAT'S LIEUTENANT DALTO FROM THE RAT SQUAD. 583 00:25:56,600 --> 00:25:58,300 SHE'S REPLACING FANCY. 584 00:25:58,330 --> 00:26:00,160 OH, BOY. 585 00:26:00,200 --> 00:26:03,900 I KNEW I SHOULD HAVE DITCHED THE HIPPO BEFORE SHE CAME. 586 00:26:03,940 --> 00:26:05,910 AND THAT'S COMING FROM THE SAME TRIBE. 587 00:26:05,940 --> 00:26:07,850 JOHN HERE SAYS HE'S CONSIDERING A TRANSFER. 588 00:26:07,870 --> 00:26:09,840 YOU KNOW LIEUTENANT DALTO, JOHN? 589 00:26:09,870 --> 00:26:11,470 BEHIND HER BACK AT G. O. A. L., 590 00:26:11,510 --> 00:26:13,510 SOME REFER TO HER AS THE WINE MAKER. 591 00:26:13,550 --> 00:26:15,850 WHAT DOES THAT MEAN? 592 00:26:15,880 --> 00:26:18,850 SOMETHING ABOUT CRUSHING GRAPES, ONLY I THINK IT'S A METAPHOR, 593 00:26:18,880 --> 00:26:21,020 IF YOU TAKE MY MEANING. 594 00:26:25,620 --> 00:26:27,260 ANYWAY, I JUST WANTED TO STOP BY 595 00:26:27,290 --> 00:26:29,490 AND OFFER MY CONGRATULATIONS. 596 00:26:29,530 --> 00:26:30,940 WELL, I APPRECIATE THAT. 597 00:26:30,960 --> 00:26:33,190 WHILE I WAS HERE, I WAS THINKING MAYBE I COULD LOOK 598 00:26:33,230 --> 00:26:35,030 AT SOME FILES, PERSONNEL FOLDERS, LIKE THAT. 599 00:26:35,070 --> 00:26:36,780 WELL, I DON'T SEE WHY NOT. 600 00:26:36,800 --> 00:26:38,930 I KNOW I DON'T GET STARTED TILL NEXT WEEK. 601 00:26:38,970 --> 00:26:41,000 I JUST WANTED TO GET A JUMP ON THINGS. 602 00:26:41,040 --> 00:26:43,610 I'VE BEEN LOOKING FORWARD TO A COMMAND ASSIGNMENT 603 00:26:43,640 --> 00:26:44,670 FOR SOME TIME. 604 00:26:44,710 --> 00:26:47,640 I CAN'T WAIT TO DIVE IN AND GET MY HANDS DIRTY. 605 00:26:47,680 --> 00:26:51,010 WELL, WE'LL SET YOU UP RIGHT IN HERE. 606 00:26:51,050 --> 00:26:53,680 10‐CARDS, PERSONNEL FILES. 607 00:26:56,560 --> 00:26:58,730 WHAT YOU SAW UP THERE IN THAT BATHROOM, 608 00:26:58,760 --> 00:27:01,000 OH, WE'RE SURE YOU CAN. I CAN EXPLAIN THAT. 609 00:27:01,030 --> 00:27:02,730 THAT WAS HIS IDEA ‐‐ THE MAN IN THE SUIT. 610 00:27:02,760 --> 00:27:04,160 HE CAME ON TO ME. 611 00:27:04,200 --> 00:27:06,140 AND THE SHOPPING BAG ONE GUY STANDS IN 612 00:27:06,160 --> 00:27:09,130 SO COPS ONLY SEE ONE PAIR OF FEET ‐‐ THAT HIS IDEA, TOO? 613 00:27:09,170 --> 00:27:12,210 SEE, SHORTY, THIS SHOPPING BAG, THAT'S SOMETHING A PRO WOULD DO. 614 00:27:12,240 --> 00:27:13,750 WE KNOW THAT BATHROOM IS ONE OF THE SPOTS 615 00:27:13,770 --> 00:27:15,240 YOU BRING YOUR TRICKS. 616 00:27:15,270 --> 00:27:16,400 SO YOU GOT TO BUST DOWN THE DOOR 617 00:27:16,440 --> 00:27:17,710 JUST TO CATCH A GUY MAKING A BUCK? 618 00:27:17,740 --> 00:27:19,010 IF HE WAS PAYING YOU, 619 00:27:19,040 --> 00:27:20,840 HOW COME IT WAS YOU IN THE BAG AND HIM DOWN THERE DOING YOU? 620 00:27:20,880 --> 00:27:22,480 THAT'S HOW HE WANTED IT. 621 00:27:22,510 --> 00:27:24,180 YOU HAVE ANY OTHER TRICKS THIS MORNING 622 00:27:24,220 --> 00:27:25,520 BEFORE MR. ROCKEFELLER? 623 00:27:25,550 --> 00:27:27,050 UNH‐UNH. THAT WAS MY FIRST. 624 00:27:27,090 --> 00:27:29,530 SEE, THAT'S A LIE, SHORTY. 625 00:27:29,550 --> 00:27:31,990 NO, NO, NO. SEE, FIRST, I PICKED UP SOME CANS. 626 00:27:32,020 --> 00:27:33,490 HAD ME A DOUGHNUT. 627 00:27:33,520 --> 00:27:35,560 NEXT THING, Y'ALL BROKE IN ON ME IN THAT STALL. 628 00:27:35,590 --> 00:27:38,160 YOU DIDN'T STOP BY THE BANK ON 3rd AVENUE? 629 00:27:38,200 --> 00:27:41,170 WHAT, GIVE ME A LOAN? WHY WOULD I GO IN A BANK? 630 00:27:41,200 --> 00:27:42,660 MAYBE IT'S WARM. 631 00:27:42,700 --> 00:27:47,670 YOU PICKED THERE TO, UH, LEAVE A LITTLE DEPOSIT. 632 00:27:47,710 --> 00:27:49,180 IT'S NOT ME. 633 00:27:49,210 --> 00:27:52,420 MAYBE YOU GOT A PROBLEM WITH SHORT‐TERM MEMORY, 634 00:27:52,440 --> 00:27:53,680 'CAUSE THAT'S YOU 635 00:27:53,710 --> 00:27:55,710 DROPPING OFF WHAT'S LEFT OF A GUY'S PENIS 636 00:27:55,750 --> 00:27:57,220 YOU HACKED OFF THIS MORNING. 637 00:27:57,250 --> 00:27:59,450 DON'T MAKE US BRING THAT POOR GUY HERE 638 00:27:59,480 --> 00:28:01,920 FROM BELLEVUE TO MAKE AN I. D., 639 00:28:01,950 --> 00:28:04,290 'CAUSE EITHER WAY YOU'RE GOING DOWN FOR THIS. 640 00:28:04,320 --> 00:28:05,750 NO PUN INTENDED. 641 00:28:05,790 --> 00:28:08,120 YOU WANT THIS TO BE YOU'RE JUST SOME PSYCHO, SHORTY? 642 00:28:08,160 --> 00:28:10,590 YOU BROUGHT HIM UP THERE TO CUT OFF HIS JIMMY, 643 00:28:10,630 --> 00:28:12,090 AND THAT'S INTENT. 644 00:28:12,130 --> 00:28:14,600 I DON'T BELIEVE YOU BROUGHT HIM THERE TO DO THAT. 645 00:28:14,630 --> 00:28:16,300 SOMETHING MUST HAVE HAPPENED. 646 00:28:18,270 --> 00:28:21,240 MY USUAL IS 15 BUCKS, SO WE GET UP THERE. 647 00:28:21,270 --> 00:28:23,740 THIS GUY WANTED TO GIVE ME $10. 648 00:28:23,780 --> 00:28:25,980 THIS IS THE GUY YOU CUT? 649 00:28:26,010 --> 00:28:28,210 MM‐HMM. I'M HUNGRY, SO I GO FOR IT. 650 00:28:28,250 --> 00:28:30,760 TIMES IS TOUGH, SO HE GIVES ME THE $10. 651 00:28:30,780 --> 00:28:33,210 GETS IN THE BAG. I STARTED DOING MY THING. 652 00:28:33,250 --> 00:28:37,120 NOW HE'S GIVING ME INSTRUCTIONS, 653 00:28:37,160 --> 00:28:39,160 TELLING ME HOW HE WANTS IT. 654 00:28:39,190 --> 00:28:40,460 NOW I'M GETTING IRRITATED. 655 00:28:40,490 --> 00:28:43,120 I COULD SEE WHY, AFTER HIM ASKING FOR A DISCOUNT. 656 00:28:43,160 --> 00:28:45,090 EXACTLY. NOW I CAN'T STOP THINKING 657 00:28:45,130 --> 00:28:47,100 ABOUT THE 5 BUCKS HE TOOK OFF OF ME, 658 00:28:47,130 --> 00:28:49,100 SO I TAKE 5 BUCKS WORTH OFF HIM. 659 00:28:49,130 --> 00:28:50,400 DOLLAR AN INCH, HUH, SHORTY? 660 00:28:50,430 --> 00:28:52,600 MM‐HMM. 661 00:28:58,780 --> 00:29:01,690 DOC, HOW DID IT GO WITH VINCENT? 662 00:29:01,710 --> 00:29:03,950 ALL SEWN BACK TOGETHER AGAIN? 663 00:29:03,980 --> 00:29:05,650 HE TURNED IT DOWN. 664 00:29:05,680 --> 00:29:07,650 SAY THAT AGAIN. 665 00:29:07,690 --> 00:29:09,290 VINCENT REFUSED THE REATTACHMENT. 666 00:29:09,320 --> 00:29:12,850 WE BROUGHT IN A PSYCH CONSULT, 667 00:29:12,890 --> 00:29:15,860 BUT HE'S ADAMANT. 668 00:29:18,400 --> 00:29:22,870 HEY, VINCENT, HOW ARE YOU FEELING? 669 00:29:22,900 --> 00:29:24,930 THEY GOT ME ON A LOT OF MEDICATION. 670 00:29:24,970 --> 00:29:26,870 YOU FEEL UP TO MAKING A CONFIRMING I. D. 671 00:29:26,910 --> 00:29:29,050 ON THE GUY WHO CUT YOU? WE BROUGHT SOME PICTURES. 672 00:29:33,710 --> 00:29:35,710 THAT'S HIM. 673 00:29:35,750 --> 00:29:37,160 YOU'RE SURE? 674 00:29:37,180 --> 00:29:38,550 SOMETHING LIKE THIS HAPPENS, 675 00:29:38,580 --> 00:29:40,520 YOU DON'T FORGET THE FACE OF WHO DID IT. 676 00:29:40,550 --> 00:29:41,950 DID YOU FIND THAT BASTARD? 677 00:29:41,990 --> 00:29:43,700 WE FOUND HIM IN A SUBWAY MEN'S ROOM 678 00:29:43,720 --> 00:29:45,220 HUSTLING SOMEONE ELSE. 679 00:29:45,260 --> 00:29:48,700 OH, GOD. DID HE CUT THAT MAN'S THING OFF, TOO? 680 00:29:48,730 --> 00:29:51,000 VINCENT, I KNOW IT'S NOT ANY OF OUR BUSINESS, 681 00:29:51,030 --> 00:29:53,490 BUT THE DOCTOR SAID YOU TURNED DOWN THE OPPORTUNITY 682 00:29:53,530 --> 00:29:55,330 FOR THEM TO SEW YOU BACK UP. 683 00:29:55,370 --> 00:29:57,040 'CAUSE YOU WERE AFRAID OF THE PAIN? 684 00:29:57,070 --> 00:30:00,070 NO. COULDN'T HURT ANY WORSE THAN IT ALREADY DID. 685 00:30:00,100 --> 00:30:02,140 DIDN'T THEY SAY YOU'D BE BETTER OFF WITH IT REATTACHED? 686 00:30:02,170 --> 00:30:05,910 LOOK, DETECTIVE, I HAVE BEEN ROBBED, 687 00:30:05,940 --> 00:30:08,910 I HAVE BEEN BEATEN COUNTLESS TIMES, 688 00:30:08,950 --> 00:30:10,420 I'VE BEEN HUMILIATED, 689 00:30:10,450 --> 00:30:14,080 AND STILL I CAN'T STOP MYSELF ‐‐ 690 00:30:14,120 --> 00:30:18,520 I CAN'T STOP MYSELF FROM PICKING UP STRANGE MEN. 691 00:30:18,560 --> 00:30:20,500 THE FACT THAT I'M HERE, 692 00:30:20,520 --> 00:30:23,460 THAT SAYS IT ALL, DOESN'T IT? 693 00:30:24,700 --> 00:30:28,440 VINCENT, ARE YOU SURE ABOUT THIS? 694 00:30:28,470 --> 00:30:32,740 I KNOW IT SEEMS EXTREME, BUT THIS IS HOW I WANT IT. 695 00:30:59,630 --> 00:31:02,030 WHAT'S GOING ON? 696 00:31:02,070 --> 00:31:04,380 THE NEW SQUAD COMMANDER IS IN WITH FANCY. 697 00:31:04,400 --> 00:31:06,870 SUSAN DALTO COMING OVER FROM THE RAT SQUAD. 698 00:31:06,910 --> 00:31:08,650 OUCH. 699 00:31:08,670 --> 00:31:11,470 HER AND FANCY, THEY'VE BEEN LOCKED IN THERE, LIKE, AN HOUR. 700 00:31:11,510 --> 00:31:12,970 PROBABLY RUNNING DOWN 701 00:31:13,010 --> 00:31:14,880 EVERY LAST WRONG THING WE EVER DONE. 702 00:31:14,910 --> 00:31:17,880 MAYBE SHE'S, UH, GOT QUESTIONS ON PROCEDURE 703 00:31:17,920 --> 00:31:21,390 COMING OVER FROM I.A.B. TO A DETECTIVE SQUAD. 704 00:31:21,420 --> 00:31:23,890 YEAH, WELL, FANCY HAS SPENT MORE TIME TALKING TO HER 705 00:31:23,920 --> 00:31:26,320 THAN HE DID ALL OF US THE WHOLE TIME HE WAS HERE. 706 00:31:26,360 --> 00:31:29,740 EXCUSE ME. BRADLEY ODUM ‐‐ 707 00:31:29,760 --> 00:31:31,560 SUPERVISOR, U. S. CUSTOMS. 708 00:31:31,600 --> 00:31:35,310 Andy: YEAH, HELLO. ANDY SIPOWICZ. 709 00:31:35,330 --> 00:31:37,130 THIS IS MY PARTNER DANNY SORENSON. 710 00:31:37,170 --> 00:31:39,070 THANKS FOR COMING OVER SO QUICK. 711 00:31:39,100 --> 00:31:40,370 SURE. 712 00:31:46,880 --> 00:31:48,680 THAT MESSAGE YOU LEFT WAS PRETTY CRYPTIC. 713 00:31:48,710 --> 00:31:50,410 WE DIDN'T THINK IT WAS APPROPRIATE 714 00:31:50,450 --> 00:31:52,810 TO TALK ABOUT OVER THE PHONE. 715 00:31:52,850 --> 00:31:54,650 WELL, NOW I'M HERE. 716 00:31:54,690 --> 00:31:57,930 HOW LONG YOU KNOWN, UH, KENNY SOTO‐MAYOR? 717 00:31:57,960 --> 00:31:59,970 KENNY? FIVE YEARS, 718 00:31:59,990 --> 00:32:02,660 EVER SINCE HE'S BEEN A CUSTOMS AGENT. 719 00:32:02,690 --> 00:32:04,960 HOW COME? 720 00:32:05,000 --> 00:32:07,470 WE GOT REASON TO BELIEVE HE'S INVOLVED IN A HOMICIDE 721 00:32:07,500 --> 00:32:09,460 THAT TOOK PLACE FOUR YEARS PRIOR TO THAT. 722 00:32:09,500 --> 00:32:11,470 NO, THAT CAN'T BE RIGHT. 723 00:32:11,500 --> 00:32:13,940 THE INFORMATION IS SOLID OR ELSE YOU WOULDN'T BE HERE. 724 00:32:13,970 --> 00:32:17,270 KENNY SOTO‐MAYOR IS THE FINEST OFFICER I'VE EVER WORKED WITH. 725 00:32:17,310 --> 00:32:19,980 HE'S TOUGH, HE'S HONEST, AND HE WORKS HIS TAIL OFF 726 00:32:20,010 --> 00:32:22,110 NO MATTER HOW CRAPPY THE DETAIL. 727 00:32:22,150 --> 00:32:23,790 I KNOW THIS MAYBE COMES AS A SHOCK. 728 00:32:23,820 --> 00:32:25,290 THAT'S WHY WE CAME TO YOU FIRST. 729 00:32:25,320 --> 00:32:27,460 WHO IS HE SUPPOSED TO HAVE KILLED ANYWAY? 730 00:32:27,490 --> 00:32:28,830 IT WAS DRUG RELATED. 731 00:32:28,850 --> 00:32:32,690 DRUG RELATED? DO YOU REMEMBER THAT BUST AT JFK A MONTH AGO? 732 00:32:32,720 --> 00:32:35,490 40 KIs OF SMACK COMES IN FROM PERU. 733 00:32:35,530 --> 00:32:37,070 KENNY SOTO‐MAYOR IS THE ONE 734 00:32:37,100 --> 00:32:39,140 WHO SNIFFED THOSE GUYS OUT FIRST. 735 00:32:39,160 --> 00:32:40,630 DOES THAT SOUND TO YOU 736 00:32:40,670 --> 00:32:42,640 LIKE SOMEONE THAT GOES OUT AND DOES MURDER OVER DRUGS? 737 00:32:42,670 --> 00:32:43,980 THIS WAS A LONG TIME AGO. 738 00:32:44,000 --> 00:32:45,970 WE WERE HOPING YOU WOULD CALL HIM AND TELL HIM 739 00:32:46,000 --> 00:32:49,300 WE WANTED TO TALK TO HIM ABOUT A COLLAR WE JUST MADE. 740 00:32:49,340 --> 00:32:51,970 YOU WANT ME TO LIE TO HIM SO HE COMES IN ON HIS OWN. 741 00:32:52,010 --> 00:32:54,480 OR WE CAN SEND SOMEONE TO PICK HIM UP 742 00:32:54,510 --> 00:32:56,780 IN FRONT OF HIS FELLOW OFFICERS. 743 00:33:00,550 --> 00:33:04,520 UNDERSTAND SOMETHING HERE. KENNY IS LIKE A SON TO ME. 744 00:33:04,560 --> 00:33:07,530 THAT'S HOW STRONG I FEEL ABOUT HIM. 745 00:33:07,560 --> 00:33:10,690 I KNOW HE DIDN'T DO THIS. 746 00:33:17,870 --> 00:33:19,270 THIS IS SUPERVISOR ODUM. 747 00:33:19,300 --> 00:33:21,270 I'M OVER AT THE 15th PRECINCT. 748 00:33:21,310 --> 00:33:23,620 CAN YOU GET KENNY SOTO‐MAYOR OVER HERE? 749 00:33:23,640 --> 00:33:26,370 LIEUTENANT, I DON'T WANT TO TELL YOU HOW TO DO YOUR JOB, 750 00:33:26,410 --> 00:33:28,210 BUT LOOKING OVER THESE FILES ‐‐ 751 00:33:28,250 --> 00:33:30,220 THIS IS A DETECTIVE SQUAD. 752 00:33:30,250 --> 00:33:34,520 THIS ISN'T ABOUT NUMBERS OR LOOKING GOOD AT COMSTAT. 753 00:33:34,550 --> 00:33:38,020 LET'S TAKE SIPOWICZ ‐‐ HIS PAST DRINKING PROBLEM. 754 00:33:38,060 --> 00:33:39,900 AND I THINK YOU'LL FIND HIS RECORD 755 00:33:39,920 --> 00:33:41,890 THE PAST COUPLE OF YEARS IS PRETTY EXEMPLARY. 756 00:33:41,930 --> 00:33:44,400 HIS LAST THREE PARTNERS HAVE ALL HAD RUN‐INS WITH I. A. B. 757 00:33:44,430 --> 00:33:46,390 SORENSON HAS HAD A SERIES OF THEM. 758 00:33:46,430 --> 00:33:49,260 YOU'RE COMING FROM I. A. B. ANY DETECTIVE DOING HIS JOB 759 00:33:49,300 --> 00:33:51,730 IS GOING TO HAVE SOME BEEFS ON HIM. 760 00:33:51,770 --> 00:33:53,900 MY COMING FROM I. A. B., I KNOW WHAT A MESS THIS SQUAD IS. 761 00:33:53,940 --> 00:33:55,400 THESE ARE GOOD DETECTIVES. 762 00:33:55,440 --> 00:33:57,410 INSTEAD OF JUMPING DOWN THEIR THROATS, 763 00:33:57,440 --> 00:33:59,140 WHY DON'T YOU GIVE THEM A CHANCE? 764 00:33:59,180 --> 00:34:01,050 EASE INTO IT, YOU'RE SAYING? 765 00:34:01,080 --> 00:34:02,640 GET THEM WORKING WITH YOU. 766 00:34:02,680 --> 00:34:06,150 THAT'S HELPFUL ADVICE. THANKS FOR THE INPUT. 767 00:34:06,180 --> 00:34:08,480 LET'S GET YOU INTRODUCED. 768 00:34:13,930 --> 00:34:15,400 THIS IS LIEUTENANT DALTO. 769 00:34:15,430 --> 00:34:17,400 SHE'S TAKING OVER AS SQUAD COMMANDER. 770 00:34:17,430 --> 00:34:19,600 SHE'D LIKE TO HAVE A FEW WORDS. 771 00:34:19,630 --> 00:34:21,930 I'M SUSAN DALTO. I'VE BEEN ON THE JOB 18 YEARS. 772 00:34:21,970 --> 00:34:24,240 THIS IS MY FIRST ASSIGNMENT IN THE DETECTIVE BUREAU, 773 00:34:24,270 --> 00:34:27,570 BUT I HAVE TAKEN THE CRIMINAL INVESTIGATORS COURSE, 774 00:34:27,610 --> 00:34:30,350 SO I THINK I'VE GOT A PRETTY GOOD HANDLE 775 00:34:30,370 --> 00:34:32,740 ON THE BASICS OF RUNNING A DETECTIVE SQUAD. 776 00:34:32,780 --> 00:34:34,250 YOU'RE DETECTIVE MEDAVOY? 777 00:34:34,280 --> 00:34:35,740 UH, CALL ME GREG. 778 00:34:35,780 --> 00:34:38,750 UH, MY, UH, PARTNER BALDWIN JONES. 779 00:34:38,780 --> 00:34:41,250 RIGHT. AS FAR AS MOVING TEAMS AROUND, 780 00:34:41,290 --> 00:34:43,260 MATCHING UP STRENGTHS WITH WEAKNESSES, 781 00:34:43,290 --> 00:34:46,530 LET'S JUST RELAX A COUPLE WEEKS TILL I GET TO KNOW YOU. 782 00:34:46,560 --> 00:34:49,260 CONNIE McDOWELL, DIANE RUSSELL, 783 00:34:49,290 --> 00:34:51,130 ANDY SIPOWICZ, DANNY SORENSON. 784 00:34:52,400 --> 00:34:54,370 NO OFFENSE TO LIEUTENANT FANCY, 785 00:34:54,400 --> 00:34:56,870 BUT I LIKE TO DO THINGS BY THE NUMBERS. 786 00:34:56,900 --> 00:35:00,500 I BELIEVE IN FOLLOWING RULES, LIKE FILING DD‐5's 787 00:35:00,540 --> 00:35:04,540 WITHIN THREE BUSINESS DAYS OF CATCHING A CASE 788 00:35:04,580 --> 00:35:06,550 AND MAKING ALL YOUR REQUESTS FOR TIME OFF 789 00:35:06,580 --> 00:35:07,840 FIVE DAYS IN ADVANCE. 790 00:35:07,880 --> 00:35:09,340 NO CALLING IN THAT MORNING 791 00:35:09,380 --> 00:35:11,980 SAYING THAT YOU DON'T FEEL LIKE WORKING THAT DAY, 792 00:35:12,020 --> 00:35:13,490 AND PERSONAL DISCIPLINE. 793 00:35:13,520 --> 00:35:16,060 THAT MEANS A SHAVE FOR YOU, GENTLEMEN, 794 00:35:16,090 --> 00:35:17,630 AND PROPER FOOTWEAR FOR THE FEMALES. 795 00:35:17,660 --> 00:35:19,330 YOU NEVER KNOW WHEN YOU MIGHT HAVE TO ACT 796 00:35:19,360 --> 00:35:20,670 LIKE A POLICE OFFICER, 797 00:35:20,690 --> 00:35:22,060 BUT WE'VE GOT TIME FOR ALL THIS. 798 00:35:22,090 --> 00:35:24,990 AS FAR AS I'M CONCERNED, WE START OUT FRESH. 799 00:35:25,030 --> 00:35:29,870 YOU DO A GOOD JOB FOR ME, AND I'LL TREAT YOU WITH RESPECT. 800 00:35:29,900 --> 00:35:32,300 ANYONE DISRESPECTS ME, 801 00:35:32,340 --> 00:35:34,380 YOU'LL BE LOOKING FOR ANOTHER ASSIGNMENT. 802 00:35:34,410 --> 00:35:36,050 SIMPLE AS THAT. 803 00:35:36,070 --> 00:35:37,710 ANYONE GOT ANY QUESTIONS? 804 00:35:37,740 --> 00:35:40,180 WHEN DO YOU START? 805 00:35:40,210 --> 00:35:41,680 IT'S EFFECTIVE NEXT WEEK. 806 00:35:41,710 --> 00:35:43,980 LIEUTENANT FANCY WILL BE HERE TO EASE THE TRANSITION. 807 00:35:44,020 --> 00:35:45,490 I JUST WANTED TO SAY 808 00:35:45,520 --> 00:35:47,990 I'M LOOKING FORWARD TO WORKING WITH YOU, DETECTIVE. 809 00:35:48,020 --> 00:35:49,920 IT'S OBVIOUS FROM YOUR FOLDER 810 00:35:49,950 --> 00:35:52,920 YOU CAN BE A DAMN GOOD COP WHEN YOU FEEL LIKE IT. 811 00:35:52,960 --> 00:35:55,030 IS THAT SUPPOSED TO BE A COMPLIMENT? 812 00:35:55,060 --> 00:35:57,560 JUST CALL IT AN OBSERVATION. 813 00:36:14,880 --> 00:36:17,250 KENNY SOTO‐MAYOR. 814 00:36:17,280 --> 00:36:20,350 I HAD A CALL FROM MY BOSS SOME DETECTIVES WANT TO SEE ME. 815 00:36:20,380 --> 00:36:21,850 Andy: I'M DETECTIVE SIPOWICZ. 816 00:36:21,890 --> 00:36:24,360 THIS IS MY PARTNER DETECTIVE SORENSON. 817 00:36:24,390 --> 00:36:26,590 KENNY SOTO‐MAYOR, U. S. CUSTOMS. 818 00:36:26,630 --> 00:36:28,770 THE BOSS SAID YOU WANTED TO ASK ME SOME QUESTIONS 819 00:36:28,790 --> 00:36:31,530 ABOUT THAT KENNEDY BUST, HUH? 820 00:36:31,560 --> 00:36:33,930 YEAH, KENNY. WE HEARD YOU DID GOOD WORK. 821 00:36:33,970 --> 00:36:36,110 LUCKY IS ALL. 822 00:36:36,130 --> 00:36:39,330 WHY DON'T YOU FOLLOW US? 823 00:36:42,410 --> 00:36:44,820 HEY, CAP. 824 00:36:44,840 --> 00:36:46,270 THIS IS LIEUTENANT FANCY. 825 00:36:46,310 --> 00:36:48,780 HE SAID IT'S OKAY FOR ME TO BE HERE 826 00:36:48,810 --> 00:36:51,450 AS LONG AS IT'S OKAY WITH YOU. 827 00:36:51,480 --> 00:36:53,050 WHY WOULDN'T IT BE OKAY WITH ME? 828 00:36:53,080 --> 00:36:55,550 WHAT'S THIS ABOUT? 829 00:36:55,590 --> 00:36:57,400 KENNY, WE'RE NOT HERE TO TALK TO YOU ABOUT THE BUST. 830 00:36:57,420 --> 00:36:58,790 WHAT THEN? 831 00:36:58,820 --> 00:37:00,190 RICKY RIVERA. 832 00:37:06,130 --> 00:37:07,730 [ SIGHS ] 833 00:37:07,770 --> 00:37:12,140 EVER SINCE IT WENT DOWN, EVERY BREATHING MINUTE, 834 00:37:12,170 --> 00:37:15,270 I'VE BEEN WAITING FOR A KNOCK AT MY DOOR. 835 00:37:15,310 --> 00:37:16,950 YOU KNOW WHAT THAT'S LIKE? 836 00:37:18,840 --> 00:37:23,850 I GUESS I DON'T HAVE THE RIGHT TO WEAR THIS ANYMORE. 837 00:37:25,850 --> 00:37:27,120 PROBABLY NEVER DID. 838 00:37:28,950 --> 00:37:30,950 TELL US ABOUT IT. 839 00:37:30,990 --> 00:37:32,450 I WAS IN COLLEGE. 840 00:37:32,490 --> 00:37:34,460 ME AND SOME GUYS FROM THE NEIGHBORHOOD, 841 00:37:34,490 --> 00:37:36,320 WE LIKED TO GET HIGH. 842 00:37:36,360 --> 00:37:38,460 PRETTY SOON WE WERE STRUNG OUT. 843 00:37:38,500 --> 00:37:41,510 MY BUDDY HOOKED US UP WITH SOME COLOMBIANS WHO RAN COKE. 844 00:37:41,530 --> 00:37:43,000 I STARTED DOING DELIVERIES, 845 00:37:43,030 --> 00:37:45,970 AND ONE DAY I FIGURED I'D CUT OUT THE MIDDLE MAN, 846 00:37:46,000 --> 00:37:49,640 SO I GAVE RIVERA HIS STASH, HE GAVE ME MY CUT, 847 00:37:49,670 --> 00:37:52,510 THEN I SHOT HIM IN THE BACK OF THE HEAD. 848 00:37:52,540 --> 00:37:54,780 JUST LIKE THAT? 849 00:37:54,810 --> 00:37:57,780 I KNEW I SCREWED UP, YOU KNOW? WHAT WAS I THINKING? 850 00:37:57,820 --> 00:37:59,960 PLUS, THIS GUY WAS CONNECTED, 851 00:37:59,980 --> 00:38:02,320 SO I JOINED THE ARMY, GOT SENT TO GERMANY. 852 00:38:02,350 --> 00:38:05,020 FIGURED YOU'D WAIT IT OUT OVERSEAS? 853 00:38:05,060 --> 00:38:06,530 YEAH, I DID IT TO GET AWAY, 854 00:38:06,560 --> 00:38:10,190 BUT I LIKED THE MILITARY. I LIKED SERVING MY COUNTRY, 855 00:38:10,230 --> 00:38:12,990 AND WHEN MY HITCH ENDED AND THE DUST SETTLED, 856 00:38:13,030 --> 00:38:14,860 I DECIDED TO GO INTO LAW ENFORCEMENT. 857 00:38:14,900 --> 00:38:17,730 AND YOU'VE BEEN A DAMN FINE OFFICER. 858 00:38:17,770 --> 00:38:20,540 I WANTED TO GIVE SOMETHING BACK, 859 00:38:20,570 --> 00:38:22,140 BE SOMEONE GOOD, YOU KNOW? 860 00:38:22,170 --> 00:38:24,970 LIVE MY LIFE OVER FOR THAT HORRIBLE MISTAKE. 861 00:38:25,010 --> 00:38:28,040 I ALSO KNEW THAT SOMEDAY THERE WOULD BE A KNOCK AT MY DOOR, 862 00:38:28,080 --> 00:38:31,350 AND I PROMISED MYSELF THAT WHEN IT DID COME, 863 00:38:31,380 --> 00:38:33,010 I WOULDN'T DUCK. 864 00:38:34,950 --> 00:38:38,150 I GOT A FAVOR, IF IT'S NOT TOO MUCH. 865 00:38:38,190 --> 00:38:40,390 WHAT'S THAT? 866 00:38:40,420 --> 00:38:43,560 WHEN YOU TAKE ME OUT, DO I HAVE TO WEAR THE UNIFORM 867 00:38:43,600 --> 00:38:45,570 SO THOSE COPS DOWNSTAIRS CAN SEE? 868 00:38:45,600 --> 00:38:47,510 WE'LL GET YOU A CHANGE OF CLOTHES, 869 00:38:47,530 --> 00:38:49,730 CUFF YOU IN THE FRONT, LAY A COAT OVER. 870 00:38:49,770 --> 00:38:52,070 THANKS. 871 00:38:59,880 --> 00:39:02,280 I, FOR ONE, AM LOOKING FORWARD TO GETTING HOME, 872 00:39:02,310 --> 00:39:05,280 SPENDING MY NIGHT ZONKED OUT IN FRONT OF THE TUBE. 873 00:39:05,320 --> 00:39:07,790 I'M GOING TO TAKE KENNY DOWN TO CENTRAL BOOKING. 874 00:39:07,820 --> 00:39:09,920 MAYBE I'LL CALL IN SICK TOMORROW. 875 00:39:09,950 --> 00:39:12,920 OH, YOU GOT TO DO THAT FIVE DAYS IN ADVANCE. 876 00:39:12,960 --> 00:39:15,930 THE MARSHALS AND ME, WE'VE COME TO COLLECT MY CLIENT, 877 00:39:15,960 --> 00:39:18,930 MAKE SURE HE GETS A GOOD NIGHT'S SLEEP AT A HOTEL 878 00:39:18,960 --> 00:39:21,430 BEFORE HIS BUSY DAY TOMORROW WITH THE U. S. ATTORNEY. 879 00:39:21,470 --> 00:39:24,440 YOU JUST TELL HIM KEEP AWAY FROM THAT ROOM SERVICE LASAGNA. 880 00:39:24,470 --> 00:39:26,370 YOU NEVER KNOW WHAT'S IN IT. 881 00:39:26,400 --> 00:39:28,540 WELL, I DON'T THINK YOU NEED TO WORRY, DETECTIVE. 882 00:39:28,570 --> 00:39:30,870 I'M SURE MR. KARAMAZA WILL HAVE FOOD DELIVERED 883 00:39:30,910 --> 00:39:32,210 FROM HIS OWN RESTAURANT. 884 00:39:32,240 --> 00:39:34,580 HE'S REALLY GOT TO WORRY. YOU EVER EATEN THERE? 885 00:39:34,610 --> 00:39:36,580 FOR THE KIND OF MONEY HE PAYS ME, 886 00:39:36,620 --> 00:39:38,590 I WILL EAT ANYWHERE HE WANTS. 887 00:39:38,620 --> 00:39:40,590 CHARLIE, THEY TREAT YOU WELL? 888 00:39:40,620 --> 00:39:42,080 NO COMPLAINTS. 889 00:39:42,120 --> 00:39:43,620 GOOD. 890 00:39:43,660 --> 00:39:46,100 THANKS AGAIN FOR LETTING ME WALK OUT LIKE THIS. 891 00:39:46,120 --> 00:39:47,990 YEAH. I'LL SEE YOU DOWNSTAIRS. 892 00:39:48,030 --> 00:39:51,100 SO, I GOT A NICE ROOM BOOKED FOR YOU AT A HOTEL. 893 00:39:51,130 --> 00:39:53,090 YOU READY TO GET SOME SLEEP? 894 00:39:53,130 --> 00:39:56,830 YEAH. ALL THAT TALKING HAS GOT ME BUSHED. 895 00:39:56,870 --> 00:39:58,330 MAKES YOU SICK. 896 00:39:58,370 --> 00:40:01,400 THE GUY KILLS 27 PEOPLE, HE'S GOING TO A HOTEL. 897 00:40:01,440 --> 00:40:03,910 THIS GUY WHACKS ONE NO‐GOOD, LOUSY DOPE SLINGER, 898 00:40:03,940 --> 00:40:06,240 TURNS HIS WHOLE LIFE AROUND, 899 00:40:06,280 --> 00:40:08,290 HE'S GOING TO DO 25 TO LIFE. 900 00:40:08,310 --> 00:40:11,510 YEAH, SOME COUNTRY. 901 00:40:14,490 --> 00:40:15,960 GOOD NIGHT, GUYS. 902 00:40:15,990 --> 00:40:19,100 YEAH, NIGHT, BOSS. CONGRATULATIONS AGAIN. 903 00:40:19,120 --> 00:40:21,260 HEY, THANKS, DANNY. 904 00:40:21,290 --> 00:40:24,560 YEAH, GOOD NIGHT. 905 00:40:44,650 --> 00:40:48,950 I DON'T WANT YOU THINKING I'M NOT HAPPY FOR YOU, 906 00:40:48,990 --> 00:40:51,900 IF THAT'S HOW IT SEEMS. 907 00:40:51,920 --> 00:40:54,460 WELL, THANKS, ANDY. 908 00:40:54,490 --> 00:40:55,960 YOU KNOW ME. 909 00:40:55,990 --> 00:40:58,160 IT TAKES ME A LONG TIME TO GET USED TO SOMEONE, 910 00:40:58,200 --> 00:41:00,670 PLUS I MAY NOT BE THE EASIEST GUY 911 00:41:00,700 --> 00:41:02,630 TO GET ALONG WITH MYSELF. 912 00:41:02,670 --> 00:41:04,140 ALL THINGS CONSIDERED, 913 00:41:04,170 --> 00:41:07,340 I THINK WE'VE DONE ALL RIGHT. 914 00:41:07,370 --> 00:41:09,840 I THINK THE LAST COUPLE OF YEARS 915 00:41:09,870 --> 00:41:13,470 WE GOT AN UNDERSTANDING. 916 00:41:13,510 --> 00:41:16,480 MAYBE I'VE BEEN ON THIS JOB TOO LONG. 917 00:41:16,510 --> 00:41:19,480 TOOK NINE YEARS BREAKING YOU IN. 918 00:41:19,520 --> 00:41:21,930 NOW LOOK WHAT I GOT. 919 00:41:21,950 --> 00:41:25,520 OH, THINGS HAVE GOT A WAY OF WORKING OUT. 920 00:41:25,560 --> 00:41:30,500 SHE CAME ON TOO STRONG. SHE'LL LEARN BETTER. 921 00:41:30,530 --> 00:41:34,260 ANYWAYS, THAT'S NOT YOUR PROBLEM NO MORE, IS IT? 922 00:41:34,300 --> 00:41:39,170 NINE YEARS WITH THIS SQUAD, AND YOU THINK I DON'T CARE? 923 00:41:39,200 --> 00:41:42,000 IF I AM RETAINED AT THE BUREAU, 924 00:41:42,040 --> 00:41:43,540 YOU COME TO ME. 925 00:41:43,580 --> 00:41:47,020 YEAH, MAYBE WE CAN TALK IT OVER 926 00:41:47,050 --> 00:41:50,060 BACK AT THAT RIB JOINT. 927 00:41:50,080 --> 00:41:53,580 HOW ABOUT THIS TIME WE HAVE ITALIAN? 928 00:41:56,050 --> 00:42:00,860 YOU'RE A DAMN GOOD COP, ANDY. 929 00:42:00,890 --> 00:42:03,060 YOU TAKE CARE OF YOURSELF. 930 00:42:03,090 --> 00:42:05,060 YEAH. 931 00:42:05,100 --> 00:42:09,310 ANYWAYS, I GOT TO GET DOWN TO THE CENTRAL BOOKING. 932 00:42:19,510 --> 00:42:21,780 CONGRATULATIONS... 933 00:42:21,810 --> 00:42:23,480 CAPTAIN.